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At night the sea’s surface is the penetrable onyx of deep sleep.
I enter it without fear, as if to lower the input of the eye
reduces risk, and whatever I can’t presently see
exists only in memory, which has been calmed by the water’s
cold hypnosis, and to be here is impersonal. Only the moonlight
interrupts this near-nothingness, the play of it on the glossy swell
like a music you can feel, or like the mapping of something happening to me
on another level, something that can be understood so long
as it never finishes—and, when it finishes, there is nothing
left to understand. In the distance, other lights appear now
on the far side of the harbor, and, closer, the dull-white gull-like hulls
of a band of anchored boats rock softly, without intelligence.
Later, elsewhere, I remember it vaguely, and it feels like the most
meaningful way to go about it, as if the value of it grew
by resisting precision, and that, in coaxing particularity to glide from it,
the sea retained a unity unlike anything other than the sky
with which it had come to merge, but likewise it set itself outside
the reach of grammar, whose designs on it were not kind, and yet
what I mean by “it” isn’t even the sea anymore, but an experience
of the sea, which syllable by syllable I make the mistake of displacing.
Timothy Donnelly is currently a Director of Poetry in the Writing Program at Columbia University’s School of the Arts and the author of four books of poems. His second, The Cloud Corporation, was published by Wave Books in 2010 and appeared on many lists of that year’s best books of poetry. The Cloud Corporation was a finalist for the Poetry Society of America’s William Carlos Williams Award and received the 2012 Kingsley Tufts Poetry Award. Donnelly is a recipient of a Columbia Distinguished Faculty Award, the Poetry Society of America’s Alice Fay di Castagnola Award, and Paris Review’s Bernard F. Connors Prize. His latest book is Chariot, published by Wave Books in 2023. Donnelly’s poems have appeared in The New Yorker, A Public Space, Denver Quarterly, Fence, Harper’s, The Iowa Review, jubilat, The Nation, New Republic, The Paris Review, Ploughshares, and many other journals.
Hosted by Grace Cavalieri, Tenth Maryland Poet Laureate, and Kymberly Taylor, Editor-in-Chief of Annapolis Home Magazine, The Conversation Room is located in Mellon Hall near the Mitchell Gallery of Art on the campus of St. John’s College, 60 College Avenue, Annapolis, Maryland 21401. Support is provided by St. John’s College, Annapolis Home Magazine, the Arts Council of Anne Arundel County, and Friends of
Poets in the Conversation Room.
© Annapolis Home Magazine
Vol. 16, No. 2 2025